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Description
Eight on 3 and Nine on 2 is a multipercussion duet like no other. Written for eight pitched tom toms, 2 rototoms, 2 bongos, and a bass drum, this piece tests percussionists'� abilities to �split� rhythms. Two players perform the piece facing each other, sharing instruments just as they share in playing almost every rhythm in the piece. The listener is engaged aurally and visually as both performers sound like one in an exciting and captivating percussive showcase.
Written in 2007 for George Clements'� senior recital at the Eastman School of Music, the piece'�s unique name comes from unique experience. Robert Marino played 3rd bass drum for the Cadets Drum and Bugle Corps� eighth DCI World Championship in 2000, and George played 2nd bass drum in the Cadets for their ninth DCI World Championship in 2005. The piece was written with the goal of combining drum corps elements into a formal recital piece that would challenge any percussionist, regardless of his or her level of experience.
This piece comes as a professionally printed and bound score and includes individual parts in PDF format for printing or for tablet viewing.
Instrumentation
- 8 pitched tom toms
- 2 roto toms
- 1 set of bongos
- 1 kick drum
Reviews
For those bewitched by the technocracy of modern drum corps, this is the composition you have been waiting for.'The piece was written with the goal of combining drum corps elements into a formal recital piece that would challenge any percussionist, regardless of his or her level of experience.'This statement from the score epitomes the technocratic impulse that derived this dexterous spectacle of a composition.While it is easy to be shocked and awed by a successful technical delivery of this work, it is important to look past the spectacular artifice and see the aesthetic destitution and machismo that constitute this one-dimensional work.
Composed in 2007, this six-and-a-half minute duet is a fast and furious fixation on hocket, or 'split rhythms' in the dialect. Beyond demonstrating virtuosic technical ability within a limited rhythmic vocabulary, the work requires extensive ensemble communication for successful execution and the economical use of shared instruments.
The publication includes program notes and extensive performance notes in the score as well as an instrument list, notation key, and setup diagram. Parts are available on the included CD that also contains a video recording, albeit a student recital, of the work.
–Ron Coulter
Percussive Notes
Vol. 50, No. 4, July 2012
Description
Eight on 3 and Nine on 2 is a multipercussion duet like no other. Written for eight pitched tom toms, 2 rototoms, 2 bongos, and a bass drum, this piece tests percussionists'� abilities to �split� rhythms. Two players perform the piece facing each other, sharing instruments just as they share in playing almost every rhythm in the piece. The listener is engaged aurally and visually as both performers sound like one in an exciting and captivating percussive showcase.
Written in 2007 for George Clements'� senior recital at the Eastman School of Music, the piece'�s unique name comes from unique experience. Robert Marino played 3rd bass drum for the Cadets Drum and Bugle Corps� eighth DCI World Championship in 2000, and George played 2nd bass drum in the Cadets for their ninth DCI World Championship in 2005. The piece was written with the goal of combining drum corps elements into a formal recital piece that would challenge any percussionist, regardless of his or her level of experience.
This piece comes as a professionally printed and bound score and includes individual parts in PDF format for printing or for tablet viewing.
Instrumentation
- 8 pitched tom toms
- 2 roto toms
- 1 set of bongos
- 1 kick drum
Reviews
For those bewitched by the technocracy of modern drum corps, this is the composition you have been waiting for.'The piece was written with the goal of combining drum corps elements into a formal recital piece that would challenge any percussionist, regardless of his or her level of experience.'This statement from the score epitomes the technocratic impulse that derived this dexterous spectacle of a composition.While it is easy to be shocked and awed by a successful technical delivery of this work, it is important to look past the spectacular artifice and see the aesthetic destitution and machismo that constitute this one-dimensional work.
Composed in 2007, this six-and-a-half minute duet is a fast and furious fixation on hocket, or 'split rhythms' in the dialect. Beyond demonstrating virtuosic technical ability within a limited rhythmic vocabulary, the work requires extensive ensemble communication for successful execution and the economical use of shared instruments.
The publication includes program notes and extensive performance notes in the score as well as an instrument list, notation key, and setup diagram. Parts are available on the included CD that also contains a video recording, albeit a student recital, of the work.
–Ron Coulter
Percussive Notes
Vol. 50, No. 4, July 2012
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…7Each one should give what he has decided in his heart to give, not out of regret or compulsion. For God loves a cheerful giver. 89As it is written: 'He has scattered abroad His gifts to the poor; His righteousness endures forever.'…
But just as you excel in everything--in faith, in speech, in knowledge, in complete earnestness, and in the love we inspired in you--see that you also excel in this grace of giving.
2 Corinthians 13:3
since you are demanding proof that Christ is speaking through me. He is not weak in dealing with you, but is powerful among you.
Ephesians 3:20
Now to Him who is able to do infinitely more than all we ask or imagine, according to His power that is at work within us,
Philippians 4:11
I am not saying this out of need, for I have learned to be content regardless of my circumstances.
Philippians 4:19
And my God will supply all your needs according to His glorious riches in Christ Jesus.
2 Timothy 2:21
So if anyone cleanses himself of what is unfit, he will be a vessel for honor: sanctified, useful to the Master, and prepared for every good work.
And God is able to make all grace abound toward you; that you, always having all sufficiency in all things, may abound to every good work:
God.
2 Chronicles 25:9
Posters templates for pages 1 2 download free. And Amaziah said to the man of God, But what shall we do for the hundred talents which I have given to the army of Israel? And the man of God answered, The LORD is able to give thee much more than this.
Psalm 84:11
For the LORD God is a sun and shield: the LORD will give grace and glory: no good thing will he withhold from them that walk uprightly.
Proverbs 3:9
Honour the LORD with thy substance, and with the firstfruits of all thine increase:
all grace.
2 Corinthians 8:19
And not that only, but who was also chosen of the churches to travel with us with this grace, which is administered by us to the glory of the same Lord, and declaration of your ready mind:
1 Peter 4:10
As every man hath received the gift, even so minister the same one to another, as good stewards of the manifold grace of God.
always.
2 Corinthians 9:11
Being enriched in every thing to all bountifulness, which causeth through us thanksgiving to God.
1 Chronicles 29:12-14
Both riches and honour come of thee, and thou reignest over all; and in thine hand is power and might; and in thine hand it is to make great, and to give strength unto all…
may.
2 Corinthians 8:2,7
How that in a great trial of affliction the abundance of their joy and their deep poverty abounded unto the riches of their liberality…
Acts 9:36
Now there was at Joppa a certain disciple named Tabitha, which by interpretation is called Dorcas: this woman was full of good works and almsdeeds which she did.
1 Corinthians 15:58
Therefore, my beloved brethren, be ye stedfast, unmoveable, always abounding in the work of the Lord, forasmuch as ye know that your labour is not in vain in the Lord.